000 05999fam a2200433 a 4500
001 2116848
003 OSt
005 20220527065716.0
008 971008s1998 nyua b 001 0 eng
010 _a 97044590
020 _a0198711158 (hardcover)
020 _a0198711247 (pbk.)
035 _a(OCoLC)504213228
035 _a(OCoLC)ocn504213228
035 _a(NNC)2116848
040 _aDLC
_cDLC
_dNNC
_dOrLoB-B
050 0 0 _aPN1995
_b.O93 1998
082 0 0 _a791.015
_221
100 1 _aHill, John and Church Gibson, Pamela
_94435
245 0 4 _aThe Oxford guide to film studies /
_cedited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, E. Ann Kaplan, Paul Willemen.
260 _aNew York :
_bOxford University Press,
_c1998.
263 _a9801
300 _axxii, 624 p. :
_bill. ;
_c26 cm.
504 _aIncludes bibliographical references and index.
505 0 0 _tGeneral Introduction /
_rJohn Hill --
_gPt. 1.
_tCritical Approaches.
_g1.
_tIntroduction to film studies /
_rRichard Dyer.
_tStudying the film text.
_g2.
_tThe film text and film form /
_rRobert P. Kolker --
_tReading: Written on the Wind /
_rRobin Wood --
_tReading: Citizen Kane /
_rPeter Wollen.
_g3.
_tFilm acting /
_rPaul McDonald.
_g4.
_tFilm costume /
_rPamela Church Gibson.
_g5.
_tFilm music /
_rClaudia Gorbman.
_tThe film text: theoretical frameworks.
_g6.
_tClassic film theory and semiotics /
_rAntony Easthope.
_g7.
_tFormalism and neo-formalism /
_rIan Christie --
_tReading: Poetry and prose in cinema /
_rViktor Shklovsky.
_g8.
_tImpressionism, surrealism, and film theory /
_rRobert B. Ray.
_g9.
_tFilm and psychoanalysis /
_rBarbara Creed.
_g10.
_tPost-structuralism and deconstruction /
_rPeter Brunette.
_g11.
_tFilm and postmodernism /
_rJohn Hill.
_tFilm text and context: gender, ideology, and identities.
_g12.
_tMarxism and film /
_rChuck Kleinhans --
_tReading: The political thriller debate /
_rJohn Hill.
505 8 0 _g13.
_tFeminism and film /
_rPatricia White --
_tReadings Rebecca /
_rMary Ann Doane --
_tReading: Rebecca /
_rTania Modleski.
_g14.
_tGay and lesbian criticism /
_rAnneke Smelik.
_g15.
_tQueer theory /
_rAlexander Doty.
_g16.
_tPornography /
_rLaura Kipnis.
_g17.
_tRace, ethnicity, and film /
_rRobyn Wiegman.
_g18.
_tFilm and cultural identity /
_rRey Chow.
_tFilm text and context: culture, history, and reception.
_g19.
_tFilm and history /
_rDudley Andrew.
_g20.
_tSociology and film /
_rAndrew Tudor.
_g21.
_tCultural studies and film /
_rGraeme Turner.
_g22.
_tFilm audiences /
_rJostein Gripsrud.
_g23.
_tHermeneutics, reception aesthetics, and film interpretation /
_rNoel King --
_gPt. 2.
_tAmerican Cinema and Hollywood: Critical Approaches.
_tAmerican cinema: history, industry, and interpretation.
_g1.
_tAmerican cinema and film history /
_rJohn Belton.
_g2.
_tHistory and cinema technology /
_rDuncan Petrie.
_g3.
_tHollywood as industry /
_rDouglas Gomery.
_g4.
_tEarly American film /
_rTom Gunning.
505 8 0 _g5.
_tClassical Hollywood film and melodrama /
_rE. Ann Kaplan --
_tReading: Casablanca /
_rRichard Maltby --
_tReading: Casablanca /
_rRick Altman.
_g6.
_tPost-classical Hollywood /
_rPeter Kramer.
_tCritical concepts.
_g7.
_tAuthorship and Hollywood /
_rStephen Crofts --
_tReading: John Ford /
_rPeter Wollen.
_g8.
_tGenre and Hollywood /
_rTom Ryall --
_tReading: Body Genres /
_rLinda Williams.
_g9.
_tThe star system and Hollywood /
_rJeremy G. Butler.
_tPolitics and society.
_g10.
_tHollywood film and society /
_rDouglas Kellner --
_tReading: Hollywood and ideology /
_rRobert B. Ray.
_g11.
_tFilm policy: Hollywood and beyond /
_rAlbert Moran.
_g12.
_tHollywood and the world /
_rToby Miller --
_gPt. 3.
_tWorld Cinema: Critical Approaches.
_tRedefining cinema: International and avant-garde alternatives.
_g1.
_tConcepts of national cinema /
_rStephen Crofts.
_g2.
_tModernism and the avant-gardes /
_rMurray Smith.
_g3.
_tRealism, modernism, and post-colonial theory /
_rAshish Rajadhyaksha.
_tRedefining cinema: other genres.
505 8 0 _g4.
_tThe documentary /
_rJohn Izod and Richard Kilborn.
_g5.
_tThe animated film /
_rMichael O'Pray.
_tEuropean cinema.
_g6.
_tIssues in European cinema /
_rGinette Vincendeau.
_tCase-Studies: Movements, Moments, and Filmmakers.
_g7.
_tThe avant-gardes and European cinema before 1930 /
_rIan Christie.
_g8.
_tItalian post-war cinema and Neo-Realism /
_rSimona Monticelli.
_g9.
_tThe French Nouvelle Vague /
_rJilt Forbes.
_g10.
_tNew German Cinema /
_rUlrike Sieglohr.
_g11.
_tEast Central European cinema /
_rDaniel J. Goulding.
_g12.
_tEuropean film policy and the response to Hollywood /
_rArmand Mattelart.
_g13.
_tDirectors and stars.
_g(a).
_tJean Renoir /
_rKeith Reader.
_g(b).
_tIngmar Bergman /
_rChris Darke.
_g(c).
_tChantal Akerman /
_rCathy Fowler.
_g(d).
_tPedro Almodovar /
_rJose Arroyo.
_g(e).
_tLuc Besson /
_rSusan Hayward.
_g(f).
_tBrigitte Bardot /
_rGinette Vincendeau.
_tAngiophone national cinemas.
_tCase-Studies.
_g14.
_tBritish cinema /
_rAndrew Higson.
_g15.
_tIreland and cinema /
_rMartin McLoone.
_g16.
_tAustralian cinema /
_rElizabeth Jacka.
505 8 0 _g17.
_tCanadian cinema /
_rWill Straw.
_tWorld cinema.
_g18.
_tIssues in world cinema /
_rWimal Dissanayake.
_tCase-Studies: Cinemas of the World.
_g19.
_tIndian cinema /
_rAshish Rajadhyaksha --
_tReading: Popular Hindi cinema /
_rRosle Thomas.
_g20.
_tChinese cinema /
_rBerenice Reynaud.
_g21.
_tHong Kong cinema.
_ga.
_tDiscovery and pre-discovery /
_rStephen Teo.
_gb.
_tChina and 1997 /
_rN. K. Leung.
_g22.
_tTaiwanese New Cinema /
_rKuan-Hsing Chen.
_g23.
_tJapanese cinema /
_rFreda Freiberg.
_g24.
_tAfrican cinema /
_rN. Frank Ukadike --
_tReading: Hyenas /
_rRichard Porton.
_g25.
_tSouth American cinema /
_rJulianne Burton-Carvajal.
_tRedefining cinema: film in a changing age.
_g26.
_tFilm and changing technologies /
_rLaura Kipnis.
_g27.
_tFilm and television /
_rJohn Hill.
650 0 _aFilm criticism.
_94436
650 0 _aMotion pictures.
_94437
700 1 _aHill, John
_q(W. John)
_94438
700 1 _aGibson, Pamela Church.
_94439
700 1 _aDyer, Richard.
_94440
700 1 _aKaplan, E. Ann.
_94441
700 1 _aWillemen, Paul.
_94442
900 _bTOC
942 _2ddc
_cBK
999 _c1138
_d1138