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001 | 13959995 | ||
005 | 20220527084015.0 | ||
008 | 050510s2004 enk b 001 0 eng d | ||
010 | _a 2005298058 | ||
015 | _aGBA1-Z5272 | ||
020 | _a0826452094 | ||
020 | _a0826480373 (pbk.) | ||
035 | _a(OCoLC)ocm57131450 | ||
040 |
_aQCL _cQCL _dTXH _dOCLCQ _dKUT _dDPL _dDLC |
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042 | _alccopycat | ||
050 | 0 | 0 |
_aPN3378 _b.B65 2004 |
082 | 0 | 0 |
_a809.924 _222 |
100 | 1 | _aBooker, Christopher | |
245 | 1 | 4 |
_aThe seven basic plots: why we tell stories _cby Christopher Booker. |
260 |
_aLondon ; _aNew York : _bContinuum, _c2004. |
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300 |
_aviii, 728 p. ; _c24 cm. |
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504 | _aIncludes bibliographical references and indexes. | ||
505 | 0 | _apt. 1: The seven gateways to the underworld. Prologue to part one -- Overcoming the monster -- The monster (II) and the thrilling escape from death -- Rags to riches -- The quest -- Voyage and return -- Comedy -- Comedy (II) : the plot disguised -- Tragedy (I) : the five stages -- Tragedy (II) : the divided self -- Tragedy (III) : the hero as monster -- Rebirth -- The dark power : from shadow into light -- Epilogue to part 1 : the rule of three (the role played in stories by numbers) -- pt. 2: The complete happy ending. Prologue to part two -- The dark figures -- Seeing whole : the feminine and masculine values -- The perfect balance -- The unrealised value -- The archetypal family drama (continued) -- The light figures -- Reaching the goal -- The fatal flaw -- pt. 3: Missing the mark. The ego takes over (I) : enter the dark inversion -- The ego takes over (II) : the dark and sentimental versions -- The ego takes over (III) : quest, voyage and return, comedy -- The ego takes over (IV) : tragedy and rebirth -- Losing the plot : Thomas Hardy, a case history -- Going nowhere : the passive ego : the twentieth-century dead end, from Chekhov to Close encounters -- Why sex and violence? : the active ego : the twentieth-century obsession : from de Sade to The terminator -- Rebellion against "the one" : from Job to Nineteen eighty-four -- The mystery -- The riddle of the sphinx : Oedipus and Hamlet -- pt. 4: Why we tell stories. Telling us who we are : ego versus instinct -- Into the real world : the ruling consciousness -- Of gods and men : reconnecting with "the one" -- The age of Loki : the dismantling of the self -- Epilogue : the light and the shadows on the wall -- Author's personal note -- Glossary of terms. | |
650 | 0 | _aPlots (Drama, novel, etc.) | |
650 | 0 |
_aLiterature _vStories, plots, etc. |
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856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy1116/2005298058-b.html |
856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy1116/2005298058-t.html |
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